On Perseverance

OK... so I'm a terrbile blogger and it's been a really long time. But in my defense, nothing much has happened. Peope are still decorating tiles and contributing pennies on First Fridays at my studio. In between, I've been sealing/coating the tiles and adding them to the shrine.

The Art Side is almost finished and I'm learning a little about cutting tiles to fit in odd shaped spaces. First lesson learned about cutting tile: It's HARD! The Community Side is filling up and the Money and Compliment Sides are coming along. This month I gave more specific instructions about decorating the tiles to fit in with the themes. I specificaly asked, in a handout, not to decorate with "Jane and Joe forever nonsense" or "offensive items." I got less tiles than on a usual First Friday, but I can use all of them... and use them on the sides that need them. So it was a good night for the Penny Project!

My attention is turning now to creating the Penny Lake and Penny Fountain. And to grouting, which will be a bear of a job. Now entering it's third year, this project is far bigger than anything I anticipated. I still don't know where it will end up... I'm sticking to my "If I build it, they will come" philosophy. A PR aquaintance of mine who worked in the building where I have my studio thinks she can get City Hall to exhibit the piece once it is completed. That would, of course, be AWESOME!!! I'll keep you posted. But completion still seems a long way off. I'm a little overwhelmed, but over-all, I'm still thrilled with the project. It continues to be an incredible journey into unknown territories within my art experience. I'm learning so much.

I'm also learning so much about myself... My unwavering committment to the project and to all who have contributed... My patience (and often lack thereof) for such a long-term, ongoing project... My ability to let things develop at their own pace and as I go along... My dealings with my own limitations and inexperience is some areas... my self-doubts and insecurities... My ability to put myself out there and take risks... My discomfort in talking to and dealing with the public... The way I deal with disappointments and disinterest... My ability to accept a compliment... And especially my perseverance.

The preseverance is often difficult on so many levels. For one thing, I'm spending my own money on a piece that is not really intended or expected to sell. The tiles are expensive. The other materials are expensive. I'm not unhappy about spending the money... It's something I know I should do, but can't really explain why. I know it will benefit me somehow... not only in the learning experiences I described above, but professionally. Secondly, it is taking precious time away from my other artistic endeavors: Digital Art, Watercolor Painting, the decoupage toilet seats and the hand-painted glass... things that occasionally sell and help pay the studio rent. These are all areas I want to spend time developing my talents in. But then, the Penny Project is an Installatioin Piece and I've always wanted to do one of those too! Problem is I sometimes feel spread too thin. No, scratch that. I AM spread too thin. Third, I feel constant stress and pressure; to blog more, to physically work on it more, to spend time doing PR, to find it a "home," to promote it, and eventually to complete it which will take doing things I don't even know how to do yet! But the bottom line is this: I promised to create a piece of art from the pennies I collect, I designed this project and am happy with the design and it's significance, and I'm going to see it through! Period!

Progress Pictures to follow.

And The Tiling Begins!

I am just all over the place with this project now! I've begun the tiling with the main tile in the recess of each side of the shrine and with the pennies filling out the recesses and on all the edges of each wall. It's looking great so far! Also working on building the penny fountain... gluing the pennies together one by one. I've tried so many different glues but finally settled on the old favorite: Super Glue. I've already glued my fingers together more times than I can count! Also still glazing the tiles with the epoxy resin and making additional tiles using fortunes from Chinese Fortune Cookies with messages pertinent to the theme of each side of the shrine. Like I said, all over the place.

Except for making the Fortune Cookie tiles, I have to say that this is not the most creative phase of the project. The tiling and gluing is repetitive, tedious, and boring compared to the design phase and even the building and cementing of the shrine itself. Several community members have joined me in the studio (thank you, thank you, thank you!) to work with me... luckily, they didn't find it boring at all! I guess it's all a matter of perception (and how long you've been doing it!).

Special thanks to Dennis Conatser II for making the main  (4" x 4") tile for the Community Side of the shrine, and Alyssa Acevedo (one of my four incredible grandchildren) for making the main tile for the Art Side. And of course thanks to the hundreds of people who decorated the 2" x 2" tiles that will cover the walls (except for the recesses where the main tiles are. I've taken the summer off in terms of First Fridays, but beginning in September I'll be showing again and there will be more opportunities for the community to contribute.

Here are some Progress Pics:

putting the pennies on the edges and around the main tile in the recess



all the edges now have pennies

main tile for the Money Side of the Shrine



Alyssa's tile for the Art Side with pennies filling out the recess

Dennis' tile (not glazed yet) for the Community Side

main tile For the Admiration/Compliments Side of the Shrine



the beginning of one stream of a penny fountain

 

Cementing Done... Working on Tiles

All four sides and the top of the shrine are cemented and ready for tiling. It was a tedious process, but I learned a lot and felt more confident with my technique as time went on.

Now it's on to the tiling. I've got hundreds of tiles decorated by visitors to my studio on First Fridays plus many that I created myself. The tiles were bisque fired prior to being decorated. Decorations were done with Sharpies, Sharpie Paints, and some were collaged with clip art and other paper images. Since glazes were not used, firing them in a kiln is not appropriate. I decided, instead, to coat them with an epoxy resin to give them a nice, hard, shiny finish. That is what I'm working on now. I'll also be polishing about half of the pennies so there is a variation of colors among them. Once all the finishing and polishing is done, I'll start on the tiling and grouting. The pennies will go on all the edges and in the recesses around the main 4" x 4" tile that defines that particular side of the shrine. the 2" x 2" decorated tiles will go on the other (non-recess) flat surfaces of the sides of the shrine. I'm really anxious to get this new phase started and see what adjustments I'll need to make and how the project will further evolve.

Still to come: Construction of the Lazy Susan and the Penny Pool/Fountain.

Still Cementing....

I've finished coating three of the four sides with cement. One side left plus the top. Not sure yet what I'll be doing with the top. Once the entire structure is coated with cement, I'll be moving on to the tiling.

Still need lots of tiles, so drop by for June's First Friday to decorate one if you haven't already done so. The edges and the receses will be tiled with pennies. The rest of the facades will be tiled. Judging from the tiles I've already received, it will be fantastic!

There have been a few more evolutions. Now I'm considering having the entire structure on a "Lazy Susan" so it can rotate and be visible from all sides without having to sit in the middle of a room. More work, but I think that will add to the interactive nature of the piece and involve the community even further, on the level of viewer as well as collaborator.

Time to start thinking more about the area surrounding the structure where the Penny Pool/Penny Fountain will be. I'm thinking astro-turf. That may evolve too...

Lots to Think About

Well, I posted my dilemma concerning the offensive tile (see previouspost) on my Facebook page and on the Facebook page of the Phoenix Remodernists (an arts group I belong to) and I got tons of feedback, suggestions, options, and opinions. Very helpful, yet UNhelpful in that I now have even more to consider.

Suggestions include using the tile, tossing it, literally tossing it (so it beaks) and including it in broken form, grinding it into dust and including the dust in the grout between the tiles, turning it over and including it as a blank tile as a tribute to rape victims, keeping it out of the project but using it as a coaster at the reception, returning it to whoever made it (not possible.... I don't know who made it), making an adjunct piece from all the tiles that don't fit,

I'm close to a decision, but will let all of the input percolate for a while. Whatever I decide, it will be a very personal decision on many levels (artistic, philosophical, historically, experientially, and societally) and I will not be sharing it. I have several reasons for this: I want the piece to stand on its own and not be overshadowed by the inclusion or exclusion of this particular tile. Plus, I think not sharing the decision adds a little the mystery to the work.

So when it's done, be sure to look for it (or it's absence) in the finished piece!

Artistic/Philosophical Dilemma

What do I do???? Hundreds of people have decorated tiles for this project... most of them showing wonderful talent, great wit, deep thoughts, entertaining personality, and lively spirit. But then there are the exceptions.

One tile in particular is downright offensive. It says, "IRAPE SISTER YOUR." No, I didn't transpose the words or forget a space after the I... that is exactly what he wrote and how he wrote it. There is no design included. So what do I do? Do I include it in the project?

On the one hand, I feel that including it will be as offensive to many who view it as it is to me. I feel it demeans the project and twists what I am trying to say with it. I feel it was not created in the spirit of what was being asked of people; i.e. to decorate a tile that would fit in with one of the four themes of the project: Art, Money, Admiration, and Community. I feel that including it in "my" piece would reflect badly on me.

On the other hand, lots of tiles don't fit any of the four themes. Many are not "artistic." I said that people could decorate tiles and they would be included in the project. I am totally against artistic censorship. and is it really "my" piece?

On the third hand, is this artistic expression or just a prank by an immature person trying to funny or rebellious or outrageous? Are humor, rebellion and outrageousness legitimate components of art? Did I not give people a means to express themselves and be heard?

So, again, what do I do???

Structure Complete! On to the Next Step!

The structure of the shrine is finished and I am in the process of coating it with cement and preparing the surface to accept the tiles that have been decorated by so many menbers of the community when they visited my studio on First Fridays and during Art Detour.

I've been glazing the tiles and they look great! Still need many, many more... so come by the studio on First Friday and decorate one!

I'm ready to let people come in and work on the piece. Since I can only accomodate a few people at a time, let me know when you're available (leave a comment here) and I'll arrange a time with you to meet at the studio. Be prepared to get dirty!!!!

Covered with glue!

Making some progress.... have cut some more styrofoam pieces for the structure and have glued the pieces Sandi and I taped on day 1. I posted somephotos in the previous post, so check it out if you haven's seen them already. It is starting to look like a shrine! Had a lot of trouble getting the glue out of the tube using the caulking gun. I need to do some hand exercises to build up my squeezing strength! Today went a little better when I cut the a little more off the tip and got the glue flowing a little easier. Still tough though. My hands and forearms are all cramped up. And I have glue stuck to me everywhere!

Luckily I am working with forgiving materials.... mistakes can be addressed and repaired at this stage. After I get the shrine glued together and adhered to its base, I will be using a mixtrue of cement and glue to seal it. Using this mixture, I should be able to patch and build up areas that are not straight or level or smooth so that we have a good smooth, even surface to tile. More ideas keep coming to me as I work... places to incorporate pennies, places to use copper trim. It is definitely a work in progress... not just physically, but creatively!

Construction - Day One

My friend (and mentor) Sandi Whyman joined me in my studio to begin work on the shrine portion of the piece. We cut, scraped, and taped styrofoam for the greater portion of the day.

New Experiences

I often use a blow torch when I work with resin on my toilet seats and bustiers, and now on the tiles for the shrine. But while using it (and enjoying it!) the other day, I began to think about all the new tools and materials I'm using (and will be using) for this project that I've never used for an art piece before. Here's a partial list:

Bisque
Sharpies
Sharpie Paint Pens
Felt
Graph Paper
Calculator
Needle, thread, pins, tape measure, and other sewing tools
Doll's Head (this one happens to have long blond hair - with bangs - and blue eyes... coincidence??? See the photo below)
Styrofoam
Keyhole Saw
Thinset
Grout
Cement
Clay
Astro Turf
Caulking Gun
Wire Brushes
And, oh yes, Pennies!

So what do you think.... could this doll's head represent (a much younger) me? Will it add to the autobiographical nature of the piece?

(Not happy with the beret.... will do it over for sure!)

Laying it out

I am so gratified by the number of people who are participating in this project by donating their pennies, decorating tiles, and expressing interest in building the piece with me!

This weekend, I got out my graph paper (first time since seventh grade!!!!) and laid out the project. See the diagrams below! The measurements were dictated by what would fit in my truck.... as good a criterion as any, I suppose. 

The base will be 3 by 6 feet and the height will be 3 feet at the tallest point. As you can see from the diagram, there will be a four sided structure. Each side will be a 3-piece shrine (one for each of the four main concepts/themes of the Penny Project: Compliments (Admiration), Money, Art, and Community. The center piece of each side will have an arched recess that will hold a 4 inch square bisque tile decorated to symbolize the concept for that side. The rest of the recess will be tiled with the pennies that were collected during the project.The area of the center piece (excluding the recessed area) and the side pieces will be tiled with 2 inch square tiles that have been decorated by members of the community during my shows and open studios. The tiles will then be coated with a resin for shine and durability and then grouted.

To the right of the shrine structure will be a "penny lake" with a "penny fountain." Remember: each penny represents a compliment to the artist. An artist's palette will be "floating" on the "water" and an artist's head (wearing a beret that I am sewing tonight) will be sticking out of the water. the significance will be open to interpretation... is she drowning in compliments? Bathing in compliments? Just taking a break from making art? There will be a tile path around the lake (also tiles created by community members) and in the open areas (which will probably be astro-turfed) will be some 3-dimensional representations of the four major themes... perhaps a piggy bank, a "thumbs up" sculpture, an easel, and some hand-holding doll figures.

Of course nothing is set in stone yet and the design and ideas may yet evolve into something entirely different.

This coming Tuesday I will be meeting with one of my mentors, Sandi Whyman, who creates wonderful shrines. Under her watchful eye, I'll be beginning construction of Side 1 of the shrine. I want to complete Side 1 myself (making copious notes of all the sub-tasks so I can later delegate them to anyone who is interested in participating in the construction of the rest of the project). Keep watching this space for announcements of open studio dates if you want to be part of making this piece of art happen!

Making Progress!

The community response to decorating the tiles for the shrine(s) has been great! I knew the kids would enjoy it, but I was pleasantly surprised by the numbers of teens, adults, and seniors who also participated during my open studio at First Friday a couple of weeks ago. This weekend is Art Detour and I will again be having visitors to my studio participate in this project by decorating a tile if they are so inclined.

The amount of participation was not the only pleasant surprise. Also of note was the quality... there are so many really talented, creative people out there. I, myself, can not draw worth a hoot... so I was very impressed with the artwork on the tiles.

We also got a good start on a list of people who want to come into the studio and help construct this art piece. I will be posting dates and times here and on my facebook page to let people know when to show up.... so keep checking. Or, send me your email address and i will send yo a personal invitation to come out and make art!

A New Way To Participate

Beginning this Friday, visitors to my studio will be able to decorate, with words or pictures, a 2" x 2" bisque tile that will become part of the shrines or the pathways leading up to them. The decoration should address one of the four themes: Compliments, Money, Art, and Community. A tile depicting compliments might, for example, say "Love Your Work", "Good Job," "Beautiful," "Thank You," or something like that. A Money tile might have a Dollar sign on it, or a penny glued to it, or say something like, "Show Me The Money!" An Art tile could have an artist's pallette drawn on, or show a figure standing at an easel, or have a short quote or thought about the nature of art or its function. A Community tile might show people working together or holding hands, or say something like, "Working Together." These are just examples... I want YOUR thoughts! This is a community project so I would love to have the thoughts and pictures of as many people as possible included in the art! Come on out for First Friday and make your tile.

I will be coating the finished tiles with a shiny epoxy resin and using them to create the shrines and pathways as described in the previous post which laid out the plan for the artwork based on my own ideas and the suggestions of others who got on this blog to share their thoughts.

In addition to making a tile, you are invited to come down to my studio and help with the actual construction of the piece. Construction will take place on various dates so that everyone who would like to participate is able. I will be posting the dates here and on my Facebook page as soon as I know them. Stay tuned!

Happy New Year! On to Phase 2!

Well, Phase 1 of this project, the collection phase, is over. I've filled three galon jars with pennies and other coins. I've spent a good deal of time thinking about the art piece  I will create from them and who or what I'd like to see benefit from the project. And I've learned a lot:

I've learned that things don't always go as you envisioned they might. I was hoping for, and maybe expecting, a lot more community participation on the blog. I got a lot of buzz initially, but it didn't really go anywhere. People participated by adding their pennies, but were not as interested as I thought they might be in helping to plan the piece.

I've learned that I'm not a very good blogger, or perhaps I've learned that once you've described a project and asked people to participate, there's not much to do or say unless they do.

I've learned that I'd rather throw 100 of my own pennies into the jar than ask 100 strangers for theirs. I've had signs up at all the shows, and I've asked people who I noticed were reading them, but sometimes it was just too crowded, sometimes, I got "move on" vibes from people, and sometimes I just didn't bother.

I've learned that a lot of people don't carry change.

I've learned a lot about patience. At first it was tough not to plan out the whole project, art piece and all, right from the get-go. But I was determined to seek input (if not actually receive it) and to let the ideas percolate for a while without acting upon them, and to not make any decisions until this next phase, the design/construction phase.

It was very interesting to watch people read the signs and info about the project and to see their reactions. Some averted their eyes and quickly moved away... you'd think I was asking for hundred dollar bills! Some got excited and rummaged around their purses/pockets for pennies to contribute.... and then nudged their friends to contribute also. Some were very excited... especially people from out of state who wanted their (insert state name here) pennies to be incuded in the piece. Some gave dollars (one such person first interrogated me to make sure I would convert the bill to pennies and use it for the project... such is the reputation of starving artists, I guess). Many took the information about the blog, but few ever got on to give their suggestions. Most wished me luck with the project and thought it was a good idea. Some thought it was brilliant.

I've learned that it is comforting, in a way, to have a visual representation of the appreciation people have for your art. I like looking at all those pennies!

I've learned that I enjoy taking on challenges. Most of the ideas I have for the art piece will involve me stretching and growing and learning new art forms and techniques.

I've learned that I have the capacity to stick with a long-term project and stay committed, even when I don't perceive any interest from others. It would have been easy to abandon this idea, but I'm going to see it through. To everyone who contributed: your pennies WILL end up in a work of art. What that work will be? I guess I'm going to have to decide now. Whether the community will want to get involved in helping to create it? I guess we'll soon find out. What will happen to that work of art? I don't know. That may be Phase 3, the displaying/donating/selling phase.

So now I'll be trying to get other artists involved with the design phase, and the community involved with the construction phase. I'll continue to blog as progress occurs. If you are interested in helping with any part of this project, leave a comment here. I look forward to hearing from you!

Making Progress

I know it's been a while since I posted anything... but things have been moving along. I did an Afternoon Salon (art and opera), which exposed this project to a whole new audience. While there, I met a woman who is on the board of Young Arts Arizona which, among other things, partners with local schools to bring art opportunities to children and teenagers. I'll be doing an "artist in residence" gig at a local high school... teaching them about digital art and other work I do. I mention this because this organization might be another worthy group to reap the benefits of the charitable component of this project. More on that as my relationship with them continues. In the meantime, I have an appointment next week with the Shemer Art Center to discuss the same thing with them. I'll keep you updated on both of those possibilities.

I am also attending a meeting next weekend to discuss the future of the artLink organization. artLink sponsor's First Friday, Art Detour and other events in Phoenix. I used to serve on its board as Treasurer (in my previous life as an accountant). If I could interest artLink in participating in this project somehow, it would be a good shot in the arm in terms of expanding interest and participation. We'll see.

I've now filled almost three gallon jugs with pennies! I'm pleased that so many people like my work and want to be part of this. It is a testament to people's appreciation of the arts... and that is what I hoped for.

The Arizona summer is a trying time and I haven't been doing much in the way of exhibitions at my studio, so things are slow. They should pick up in a month or two. But know that even when I'm not posting, I'm always involved with pursuing this project and its progress!

That's it for now....
-Randy

One Thing I've learned...

As I've said in earlier posts, I'm learning a lot about myself as I pursue this project. The most recent revelation: I'm a lousy blogger! "They" say that to have a "successful" blog, one should post daily. I can't do that for a variety of reasons. First of all, I don't have that much new to say... Unless I get comments from the public to respond to, there are only so many times I can describe the project and my vision for it.There are only so many times I can talk about the difficulty I have asking people for pennies, the gratitude I feel when people participate. Since the idea is to wait till the collection process is over at the end of 2011 before making any decision about the piece to be created and to give people a chance to add their suggestions, I can't really post about the idea for the piece taking shape. Second of all, I follow several blogs belonging to friends of mine and I have to admit that after the first couple of posts, I feel more obligated than excited to read them. I don't want to inundate people with new posts, new facebook updates about new posts, emails about new posts. I think it's a turn off sometimes and a display of self-promotion that I'm not all that comfortable with. Third of all, I don't really know what constitutes a successful blog in my case. I do know that popularity is not necessarily an indicator. I care more about participation. According to my stats, people are reading this. According to my ever more full penny jars, people want to see the project completed and want to be part of it, at least in terms of providing the pennies (materials) for the artwork. So I continue to blog when the spirit moves me and hope that is ok with all of you.

I do have a few items to report. My studio mate, Elise, is an art teacher. Her students just sent me over 800 pennies that they collected. I am very grateful to them and look forward to hearing from them on this blog. I'm sure they'll have something to say about how I use the pennies. Also, I spoke yesterday withe the director of the Shemer Art Center and Museum in Phoenix. I am hoping to meet with her again to discuss the possibility of Shemer being the recipient of the charitable component of this project. I want to explore the possibilities of donating the piece to their sculpture garden, or auctioning it for their benefit at some sort of event to be held there. I think this fulfills my wish that the project benefit the community and especially the arts in the community. I will keep you all posted of any progress in that area. I've also fleshed out a little more of my vision of the piece. I'll keep this to myself for now since I won't necessarily be making my vision of the piece. There is still plenty of time for members of the community to add their ideas and I'm not making any decisions yet. But if I don't get the input and have to rely on my own ideas, I want to have something in mind. Of course, as is the norm with my art, the final product may not even resemble what I have in my mind when I begin. That's the fun part of the creative process... seeing ideas come to life and then take on a life of their own that could be very different from what was first imagined. I love seeing art develop into what it was meant to be and knowing how small a role the artist sometimes plays in that process!

Emotions and Progress

This project is turning out to be about emotions and ideas: Gratitude. Appreciation. Admiration. Community. Sharing. Participation. Creativity. Expression. Symbolism. Financial Concerns vs. Art For Art's Sake (a big dilemma for artists). Giving Back. Individual Taste. Merging Input.

And specifically for me it's about:  Staying Open. Being Patient. Allowing Things to Develop At Their Own Pace. Putting Myself "Out There." Separating Myself From My Art. Accepting That I Might Fail (and very publicly, at that). Being Flexible. Weathering Disappointment and Disillusionment (at times). Keeping Focus. Persevering. Facing Apathy. Risking Rejection. Feeling (sometimes) Over-Committed and Under Qualified. Needing Help. Creating Buzz. Second Guessing Myself. Listening. Personal Growth. Stretching Beyond My Comfort Zone.

The year is 1/4th over... 3/4ths to go. I have jars full of pennies, bunches of ideas about what to create, several suggestions for a charitable component. The project is moving along. An art teacher friend of mine has her class participating by collecting pennies and will be having them get on this blog to contribute their ideas. Other people have expressed excitement and a desire to be involved. I have other artists lined up to help with the actual creation (as a digital artist and maker of decoupage toilet seats and painted bark bustiers, I don't have much experience with sculpture or installations - actually, I don't have any (and that's the fun part)! I've received some good publicity about the project. I'm still psyched about it and am giving it constant thought and attention... So much so that it's probably taking most of my creative energy and my "real," or "other," or "old" media and art forms (the digital, the toilet seats, and the bustiers) are suffering a little from lack of attention and interest. But I love working on something new. Learning new skills and techniques and ways of expressing myself, ways of communicating thoughts, ideas, values, and emotions. I have no definite idea of what the final product will be... I only hope I can convey all of these wonderful (and not so wonderful) feelings. Certainly a year gives me lots of time to live with these emotions and let them percolate and congeal into something less ambiguous than the hazy sensations of comfort and discomfort that one generally feels. Once that happens, I think the final design for the project will become clear!

I played hookey...

... from April's First Friday so I don't have much progress to report re the penny collection. But... I have been thinking more about what to make from all the pennies and how to incorporate all the suggestions I've received. At these times I have to remind myself that the idea is to collect the pennies (and the input) for a whole year before making any decisions. I may have mentioned before that patience is not my strong suit. This whole project is a lesson in letting things percolate and develop on their own and in their own time. I'm learning (hopefully) not to force anything, not to allow my preconceived ideas to shape any particular outcome. It is an incredible lesson to learn. And a difficult one.

Things have been up in the air at my studio lately. I thought that I would have to move at the end of March, but things worked out so that I'm able to stay put, at least for the time being. So continue to drop by (with pockets full of pennies) the MonOrchid at 214 E. Roosevelt in Phoenix.

I've completely redone my website and launched it just two weeks ago. You can view it at http://www.virtualconceptions.com/. If you see any images you like there, remember to bring or send me a penny! Your pennies are the materials and inspiration from which art will be made!

Another Day, Another Thousand Pennies....

March has been a good month for the Penny Project. What with a show for First Friday rolling into a three-day Art Detour weekend, there were plenty of people roaming through the gallery where my art was up. I was heartened to see so many reading the information about this project and adding their pennies (and nickels, dimes, quarters, and dollar bills) to the jar. I also checked the stats for this blog and it's getting good views. People are really responding to the idea of me making art from their pennies and their compliments. And we've received several good comments/suggestions on the Group Discussion pages.

I've given up on the idea of counting the pennies regularly and posting a running tally. Impossible! Maybe I'll have a "Guess How Many" contest when the year is up... "For now, suffice it to say that I estimate I have collected the equivalent of over ten thousand pennies!

One thing that has me really excited about this project is the opportunity to work in new media. I'll be learning so much, no matter what we decide to make from the pennies. I imagine there might be some mosaic involved. Some woodworking. Perhaps some welding too! Lots of opportunitites to get dirty and wield power tools... I can't wait! Several other local Phoenix artists have been kind enough to offer me help and advice. Thank G-d! I have so much to learn and they appear to be willing teachers! I love that this project may bring me (and other interested community members) together with local talented people who are willing to share their expertise.

Next on my list is to talk to people in the know about Public Art and see if there will be a place for this piece in that arena. I'll also be applying for some grants that will hopefully fund the purchase of materials needed for the project. If you have experience with Public Art or Arts Grants, I'd love to hear from you!

Good Press

The March issue of Phoenix Magazine has come out and there is a wonderful article about this project on Page 46 (in the Artist Of The Month column)! Although it has been mailed to subscribers, it has not yet hit the newsstands. I'm very excited about this bit of press. Now the pressure is on! We have to come up with a great idea, and a great piece of art! There is some discussion going on the "What Should We Create?" thread. Some very good ideas have been proposed. If you haven't checked it out it's at  http://theifihadapennyproject.blogspot.com/2011/01/what-should-we-make.html. Be sure to add your comments about these ideas or propose your own ideas. All input is welcome!